Art
I usually do an end-of-year retrospective of my work, but this year I am running a little late. But it's not really TOO late, is it? So here, without any excessive wordiness, are some of the things that I was involved with in 2017. I hope it is fun to skim through!
Virginia Prak came by the studio the other evening for a very informal photo shoot. Virginia is a college student, pageant winner, as well as a dancer, instructor and board member of the Angkor Dance Troupe here in Lowell, Massachusetts. This year is the 30th anniversary of the Troupe. Click here for more about this great organization.
I hesitate to feature just one of the Angkor dancers over the other, very talented dancers. To be honest, I'd love to photograph many of them! So maybe this is a start. As it happens though, she and I had a little conversation starter as my wife, Amy, was Virginia's 2nd grade teacher :-).
Please enjoy the pictures!
This shot was done using a 4x5 inch paper negative. Photographic paper is 'orthochromatic', unlike traditional film, so certain colors do not register as one might expect. Her yellow garment is the same one as in the color image above, but reads almost black.
About a year ago I had asked Marc Clermont to be a subject for my artist portrait series. He is the Facilities Manager at Western Avenue Studios, in Lowell, MA, and the founder and President of the Board of Directors of The Miracle Providers NorthEast, a non-profit organization that helps raise money for children and their families impacted by HIV/AIDS. Among their many fund-raising events, they regularly produce musical extravaganzas at the Onyx Room, also at Western Avenue.
I really didn’t realize what kind of preparation was involved for Marc to get into character, which was of course how I wanted to photograph him. I thought, a little mascara, a wig and a dress… what’s the problem? Well a couple of weeks ago Marc asked if I could show up at the Onyx Room for the next Miracle Provider’s show, at which time he could sit for my photographs before the show. I think it took Marc about an hour and a half to get ready. It was worth the wait! I hope you enjoy my take.
Please go to the Miracle Provider’s web page, or Facebook page to see what incredible work they do! They also have shots on the Facebook page from that, and other shows, expertly done by other photographers.
A couple of weeks ago Sarah, whose acquaintance I had made at a corporate shoot last year, and who has since transitioned to a creative career, came to the studio for one of my shoots. Clearly a very beautiful woman, I was intent on getting beyond the obvious and on trying to reveal a more serious side, and one that hopefully would show a presence… something serious, something more. Here is a loosely curated set of those images. I have a favorite, and that one will likely end up in one of my more select portfolios, but I will let you decide. I will be happy to hear your thoughts!
My friend and colleague, the excellent Richmond, Virginia wedding photographer Melissa Desjardins came to my studio again on her recent visit. I hope you enjoy the photos and that you check out her work!
Need to blog. Need to blog. Need to......
You get the idea. It's time to show some work that only appears on my Instagram feed for the most part. Some of it was made here in Lowell, Massachusetts, some in Lawrence, at least one in Nashua, NH, some in Boston, and some in Honolulu. Feel free to critique me in the comments. I can take it... I think :-)
Masada Jones is one of a number of young people whom I know in this town who make it a good place to live, by simply doing her part. Formerly the Youth Violence Prevention Coordinator for the Lowell Community Health Center, she has recently moved across the street to become the Assistant Directory of Extended Day at the Lowell Community Charter Public School. She is also, or maybe foremost, a poet and has recently published a book of her work called "Becoming Broken".
Masada and I had met several years ago for a project that I was working on that really never got off the ground, but I had never photographed her until she and her Mom came to my studio about a month ago. A little snafu with the film processing, and paid shoots, got in my way in completing this collection, but here is the work - finally.
I got a mini-education in the art of crafting wood, or maybe just in the kinds of woods that are used. John Welch, of John Francis Designs allowed me into his studio a couple of weeks ago to photograph him and he enthusiastically explained to me, the clean slate, about some of the exotic hard-woods that he uses. I had no idea that some trees have a dark part and a very light part in the trunk!
Ok, back to talking about John. He recently moved into a larger space. It is flooded with great light from the huge Western Avenue Studios windows that face onto the Pawtucket canal. But let’s go directly to the photos! These are a mix of digital, medium format color film (Portra 160) and black & white film (Ilford HP5), all with window light.
You can visit John on Western Avenue’s First Saturday Open Studios, or you can go Like his Facebook page: http://www.facebook.com/johnfrancisdesigns
John Welch - John Francis Design
Jeweler Robert Williams was kind enough to let me photograph him a few Saturdays ago in his Lowell studio, for my artist series. I learned that day too that he also makes high-end flutes - I think he said he is a master silver caster - in Boston, which he told me is where the best flutes are made. What I do know is that he makes amazing jewelry and is a super-nice guy. You can see a few of his pieces on his web site (http://www.rawjewelers.com), as well as on a video done by Howl Magazine here: https://youtu.be/_HfMrKg2FD4
His studio is at Western Avenue Studios, in Lowell, Massachusetts - Studio 208.
Well that title was a stretch. I was just looking for some words to wrap around some photos. I had been looking through some shoots and trips that I had done recently to see what else was there. Someone whose opinion I value said to me that he wanted to see what else there was, beyond my “picks”; those shots that I would select on the first or second edit of the “contact sheets”. He also wanted me to think beyond “quality”… It’s essential to think in terms of quality and delivering excellent work when doing commercial photography, but it tends to stifle artistic inclinations. Obviously, it’s important to bring your artistry to the commercial work, and I hope that looking beyond that quality thing will help me make that work better, but that’s not really the goal for these shots. Creating good work for the work’s sake is.
So here are some recent one-offs, not necessarily rejects, but shots that didn’t make the cut, at least for what was in my mind at the time, in no particular order and with no particular story in mind.
Let me know what you think!
Beacon Hill, Boston
Diana
Roneld smiles
Kenya
Smoke
Boston
Diana
Donald
Kenya
