The Big Door Portraits

My studio has, among other nice attributes, a set of really large green barn doors. I am on the 4th floor, so if they opened, it would be quite a drop. Fortunately, they don't. I imagine that in the days in which this Western Avenue Studios building was a textile mill, this was a kind of loading dock door for raw materials in and goods out. Today, it's just dark green awesomeness.

I feel a portrait series coming over me! Here is my latest shoot with sports photographer, Liz Cardoso, who specializes in photographing runners.

There will be more to come!

Something a Little Different

Boston has finally reached double digit temperatures for the day, so I'm in the mood for something that brings pleasant thoughts of almost triple-digit temps of days gone by. So I dug out some shots that an interesting guy named Victor asked me to do last summer as he gave me a tour of the Lowell Cemetery. Enjoy!

UTEC Revisited

It's been a while since I have blogged, unfortunately, but I have spent the last week, plus 1 day, upgrading my computer system. Oh the terabytes!!!  Anyway, I have arrived and am back in business! Yay!

The week before, I was invited back to United Teen Equality Center (UTEC), in Lowell, to create more photographs of the Alternative Diploma Program, or ADP. Both the young people and their teachers are a dedicated bunch!

The New Studio

It has taken me a while to get my new photography studio into shape, but after having moved in a little over a month ago, and having done a number of shoots here already, I am finally able to show it off. Thanksgiving week is always a reliably slow week and therefore makes a great time to catch up on things that had been impossible for months. I needed to move in to the studio over a weekend because the following Monday I had two shoots, back to back, but I never had the chance to really organize it or hang work on the wall. I am almost there!

Western Avenue Studios, Suite A405

So there won't be any misunderstanding, I am still at Western Avenue Studios, in Lowell, Massachusetts! I have simply moved to a larger, brighter space, two floors up. The new space is on the 4th floor in what is known as the A-Mill; studio A405. This floor itself is much brighter and more welcoming even as you come off the elevator. Restrooms conveniently located just to your left as you get off the elevator, and my studio only several doors down the hall.

The Green Doors - I have mentioned the green doors before, but most people are not aware of their size until they actually enter the studio. These are what must have been loading dock doors years ago through which raw materials and finish products were moved. Today they are sealed, and make a really cool background. Here are some shots done in front of the doors. In fact, these are from my first author portrait photo shoot in the studio; the one done that Monday morning after moving in.

Chipping Away - The Video

As part of my project to tell United Teen Equality Center's story I wanted to create a short film. As it turned out, I ended up creating two. This first one is the 4 minute version in which I tried to let some of the young people tell their stories in their own words, in a way that gets right to the heart of the matter.

See it on YouTube:  http://youtu.be/6dSvTAZt-vc

United Teen Equality Center - Chipping Away

After more that 6 months, I am thrilled to finally unveil my personal project, United Teen Equality Center - Chipping Away. Since May of this year, I have had the privilege to work with Lowell, Massachusetts' United Teen Equality Center to create portraits of the young people and to document the invaluable work that is done there, in the form of a photographic body of work and a short film.

The work will be on display beginning with the center's Grand Opening event, and will remain on display in the common areas of the new building into the future.

Please click HERE to visit my project page, to read more about the project and to see all of the work.

The Scott Grimes Cover that Almost Didn't Happen

Back in August, Masschusetts native, actor and musician Scott Grimes, of ER and Band of Brothers fame, came home to do a benefit concert at Lowell's Memorial Auditorium. Merrimack Valley Magazine loves a hometown success story, so Scott was a perfect fit for the cover. It was all arranged. We were to meet Scott back stage before his concert and do the cover shoot. Nothing highly produced, just a series of portraits of him sitting, singing, enacting a voiceover session in a theatrical setting. Dramatic lighting, minimalist background... you get the idea.

I had the lights all set up. Everything was ready to go. I did some test shots with the publisher sitting in for the star. He loves that (ha!). In walked someone in charge. 'Scott won't be able to come down. It's too close to showtime.' I looked at the publisher and the creative director as they went completely pale. I blurted out: 'can he just give us five minutes?' The guy paused and said, ok, I'll check. He walked away and the aforementioned magazine honchos shot me a look. A glare really... I said, 'I am all set up. If he comes down here for 5 he will be here for 15.' I may have even said 'trust me'... I really need a manager; someone to stop me before I say 'yes' again!

Scott came down to the set and was incredibly personable, helpful, ready for a photo shoot, and seemed to be in no rush to leave. Happy to accommodate. We shot the cover in a little less than 10 minutes and followed that up with several relaxed, informal posed shots of him, his band and our writer, Beth Daigle. It had turned out to be a good night all around. But someone really needs to stop me next time.

And please don't miss this issue to check out Creative Director Steve Pennimpede's great vision and Photoshop work on the cover concept!

Merrimack Valley Magazine - November/December 2012

A Happy Team - Merrimack Valley Magazine's owner, editor & publisher, Glenn Prezzano, writer for the Scott Grimes story, Beth Daigle, and creative director Stephen Pennimpede

Nadia and the Green Doors

I haven't made much noise about my new studio space yet, mostly because I haven't had an opportunity to make it presentable. I have a big blank wall and a stack of prints that are waiting to be hung. I will definitely get to it! But, along with more space and better window light, I have these great (in both senses of the word) green doors at one end of the studio. The old mill building apparently used to have a mechanism to load or unload large items to or from the upper floors through large, wooden barn doors. They are currently a rich dark green and are closed for good. I am holding out hope that the landlord refrains from covering them from the inside as they are a real feature in my space.

I recently photographed Nadia Clifford (http://www.nadiaclifford.com), a local writer, in front of the doors. She and I are pretty happy with the results.

Goals and a Vision for your Head-Shot

A potential client contacted me a few weeks ago inquiring about having an actor's head-shot done. She was very specific about what she wanted and seemed to like what she had seen of my work. I forwarded her some information about the way that I work, the fee and my deliverables. We then set up an appointment and she asked if I would mind if she sent me her ideas about the shoot. I love when a client is personally invested in this process, so I naturally said, yes, please do! She then sent along a Word document listing her goals for the shoot, what she thought the head-shot should be or entail, as well as a list of questions.

To a portrait photographer, this is what a great shoot looks like. That isn't to say that everyone needs to do this! In fact, most subjects are actually rather unsure of what is going to happen when they arrive at my studio or I at their location. When possible, I prefer to have a pre-shoot conference, either in a separate sit-down, or if that's not possible, immediately before the shoot. My objective is to explain the process, answer any questions and to solicit any input that the subject would like to contribute. I cannot speak for other head-shot photographers, but I really appreciate input from my client. The great thing about the actress to whom I was referring was that once we started, she wasn't into micro-managing the session. She had shared her vision with me before we met and my job was to make her vision reality. I hope the work speaks for itself.

I work with all kinds of clients, creating actor head-shots as well as corporate head-shots, although I prefer to call the latter, corporate portraits. Irrespective of the client though, having a vision and goals in mind before the shoot begins is key.

Locally Grown - One More Time

Just as I have done the past two years, I spent some time this summer visiting small local farms and farm-related training events, mostly for the New Entry Sustainable Farming Project. This year I got to revisit a few of the farmers that I had met in previous years, this time at their new, larger farms. You may recognize a few people from both my portfolio and some of my previous blogs. One couple that I met in Dracut, Massachusetts, last year now has a farm in Groton, as well as a new addition to their family! Congratulations!

By way of showing how the food progresses from the farm to the table, I also visited the new packing station for the Lowell CSA, or Community Supported Agriculture project. Clearly a growing and well-run organization.

For more information visit these sites:

http://www.nesfp.org/
http://nesfp.nutrition.tufts.edu/worldpeas/csa.html